silveradept: Salem, a woman with white skin and black veining over her body, sits at a table with her hands folded in front of her. Her expression is one of displeasure at what she is seeing or hearing. (Salem Is Displeased)
Silver Adept ([personal profile] silveradept) wrote2025-12-05 11:02 pm

December Days 02025 #05: Capitalism

It's December Days time again. This year, I have decided that I'm going to talk about skills and applications thereof, if for no other reason than because I am prone to both the fixed mindset and the downplaying of any skills that I might have obtained as not "real" skills because they do not fit some form of ideal.

05: Capitalism

As soon as I decided that I was going to let other people into my life and have them partake of my resources, I failed at capitalism. This is offered not simply as a trite observation or a tautology, but as a condemnation of the system itself, because capitalism as a system is about hoarding and always trying to have your resources be used in a way that produces advantage to you, and usually, it demands that the advantage be financial in some manner. The person with the biggest bank account wins at capitalism, and therefore it can't be anything other than the height of folly to willingly share your resources with other people without expectation of being repaid or otherwise reimbursed for such a thing.

It's why we have corporations that allow humans to evade responsibility and accountability for actions intended to reinforce greed, hoarding, and scarcity, with bad results to everyone else who is caught in this amoral situation.

If I had, instead of taking up with the idea that I might want to have companionship in my life, decided that I was only going to live alone, with my books and my poetry to protect me, then I would not have encountered so many of the expenses that I have in this world, regarding vehicles, and mortgages, and repairs, and replacements, and so many other things. I would probably have a much more comfortable retirement position, and savings, and possibly be wistfully wishing that I could afford a mortgage on a house of my own, but for the entire and complete bubbling of real estate right after the last bubble exploded. Or I might be aggravated about the rent and the presence of all the condos driving the rent up further. Who knows. It certainly would seem like I would be in a far better position with regard to capital and the use thereof if I hadn't embarked upon the choices that I did.

It's possible I could have some of those things to myself at this point if I hadn't made the choices that I did about trying to make a bad relationship work, because I wanted to make it work and ignored signs that it wasn't doing so. And because, as the entries so far have hinted at, I'm not exactly brimming with self-confidence in any domain outside of a space that I have both expertise and a firm understanding of the problem. Except, I guess, in some places where I have the confidence of a mediocre white man and don't notice that I'm outside of my expertise. So, I made bad choices and then continued to suffer from them for a significant amount of time. My failures at capitalism are numerous.

But even before that point, I'd definitely been failing at capitalism before. I decided to go into a profession that requires graduate schooling and that doesn't pay for shit, because it's a profession that's been heavily feminized and therefore discounted and devalued. I took on significant debt for something that wasn't going to give me great returns from it. (And that has an entire awe section about how crass it is to expect to be properly compensated for the job that you do, because if you are in it for money, then you lack the passion and devotion to the profession and should go somewhere else.)

Even before that, of course, I was also making bad decisions at capitalism, choosing to go to the more expensive and prestigious university that had the graduate school I eventually wanted to go to, rather than taking the scholarship offer to a different school for my undergraduate experience and then to go into graduate school with the grades from there and have saved significant money along the way.

It's not hard to set my life up, at least from a certain point, as a series of failures of capitalism and making poor decisions about money and therefore, if I am in a situation where money is tight, stretched, or otherwise a source of stress for me, then it's completely my fault because I made poor decisions. This is the mode that I generally operate on in my life, because I've also internalized the belief that I am the only thing I can control and change in my life, and used it as a way of making sure that I blame myself for everything that happens that may be negative. Other people may have contributed to this, and some of them may, to outside observers, hold significant or even primary responsibility for the situation, but that's not usually something that I will admit to, because to do so would be to let go of the belief that I have total and complete control over my situation and therefore I can simply will myself into a better situation. This is the curse of being brought up in a society that believes I, by privilege of my assigned gender at birth and the membership I have in whiteness, should be the unquestioned ruler of everything around me that is neither my assigned gender at birth and/or those who are not permitted entry into whiteness. It then encourages me, through media accounts, advertisements, and other means to blame those people who are not me and not part of my group as the cause of my unhappiness and lack of comfort. From there, I'm supposed to either vote in politicians who promise to hurt them for having the gall to try and exist or take some part of the resource share that is rightfully mine or to engage in direct action to dominate, control, or remove resources from those other people who have been taking from me through their mere act of existence, or who have been "taking" from me because my government is redistributing my tax dollars to the "undeserving," instead of refunding them back to me to that I can use them more effectively and efficiently on myself.

The choices that I have made that are not according to the dictates of capitalism have had many other benefits for me, of course. As, presumably, they have for you. The decision to go to the more expensive university also came with several years of participation in campus life, including the marching band (where my face was on national television for a brief moment as I marched in a parade), intramural sport and refereeing such sport, which may have further cemented my interesting in the Olympic program, and in several of the things that are charmingly referred to as "non revenue-generating sports" that are equally as excellent to watch, if you have the opportunity), and it likely expedited the process of acceptance into graduate school (as well as giving me the opportunity to understand whether I could function at that level) by making it so that the reviewers were comparing the grades of their own institution, rather than trying to decide whether the other institution has sufficient academic rigor for them to believe that my good grades really do mean that I can hack it at that level.

Choosing the profession that I have, even knowing that the money wouldn't be great, has resulted, all the same, in plenty of opportunities for my mental health to stay good (as well as several opportunities for it to be regularly trashed). Doing programming for tinies is still a thing to look forward to and enjoy. Helping people find things and showing them that we have access to the materials they're interested in is helpful, and sometimes there's a fair amount of appreciation expressed for it. There's something satisfying about being able to help people work through their various issues regarding technology and using it for their purposes, even if there's also sometimes a fair amount of frustration expressed at various entities because they made things obtuse, or because they dumped a device on someone, made some statement about it being intuitive and not needing any learning, and then skipped town instead of supporting the device they had just thrust on someone. Sometimes we get back a little bit of our teens who have gone on to other situations and parts of their lives, and they come back and appreciate what we were trying to do with them, now that they're adults who have to deal with the life outside. And there are always people who use the resources and appreciate that we're still here, even as they are themselves confronting capitalism's failures of them. And doing the work I've done has had me met all kinds of wonderful people and attempt all kinds of things that I might not otherwise do, like practicing my art skills, or penning articles for publication, or presenting at various conferences about the intersections of my profession and the professions and careers of others. Often in a "we should be able to work better together" way, but that working together is often curtailed by lack of resources and by the often aggravating, but very true assertion that a public library that has to be heavily involved in making sure people have basic needs met is not able to sustain more complex and more interesting programming for the majority of their users. (Much as it would be cool to do some of those things.)

The decisions I have made about relationships and about wanting human companionship in my life have resulted in having a house that I can then use to help other people have a house and companionship in their lives. And in pets, who are often yell, but routinely are also love. They have proven to me that there are friends that I still had outside of a bad relationship, and that the worst things that I think about myself are often not as terrible as I might otherwise believe they are, or that what I think about myself is the shadow on the wall being cast by something much smaller and less terrible.

And that some things are forgivable. And that others can be worked through, or around, or with, in a way that results in the thing getting done, instead of a way that results in the thing getting done and me feeling terrible about my failure to be a normal human being who can do all the things that normal human beings do without needing additional assistance from outside sources. Or without building structures and systems of reminders and pathways so that whatever the last mistake is, it won't be made again, making sure that all the mistakes of the future are novel ones. So long, of course, as the system performs flawlessly and I remember to engage it at every juncture that I'm supposed to.

Having other people around can mean articulating to them the secret fears that you have, or the ways that things used to go in other situations, so that they understand why you are expecting them to do one thing, or that you want them to do one thing, because if they do that thing, that will signal to you that there are no further things that will be sprung upon you later.

And, despite all of those things that I have done capitalism wrong with…I keep surviving. I keep finding ways to make the money work, even if it makes me fret a lot about whether or not the whole enterprise is going to hold together long enough to succeed. To me, this seems like standard operations, but to others, it might suggest that there's some sort of financial wizardry involved in here, to keep rolling with life and still managing to stay afloat, even with all the things that have been in my way. To me, it's mostly just persistence and sometimes a fair amount of denying myself anything that might be fun.

The persistence part is probably to good one. The long bouts of self-denial, probably not. But, there's another way in which I'm failing at capitalism, by not choosing to extend myself out to as far on the margins as I can, either in hope of a great payoff or because money is meant for my happiness, and so I should spend it profligately.
merrileemakes: A very tired looking orange cat peering sleepily at you while curled up on a laptop bag (Default)
Merrilee ([personal profile] merrileemakes) wrote in [site community profile] dw_community_promo2025-12-06 08:46 am
Entry tags:

New community: Voice in my ear

[community profile] voiceinmyear, a community to share any kind of audio-based narrative entertainment. Here you can recommend, critique, signal boost or otherwise enthuse about:
- podcasts, both fiction and non-fiction
- audiobooks
- podfics
- audio essays - YouTube or other video formats are fine as long as it can be enjoyed without visuals
- apps, platforms or websites to access or discover any of the above.

Just created and I'm keen to post some content soon, but also thrilled if anyone else wants to jump in and share some aural joy.
silveradept: The logo for the Dragon Illuminati from Ozy and Millie, modified to add a second horn on the dragon. (Dragon Bomb)
Silver Adept ([personal profile] silveradept) wrote2025-12-04 11:40 pm

December Days 02025 #04: Repair

It's December Days time again. This year, I have decided that I'm going to talk about skills and applications thereof, if for no other reason than because I am prone to both the fixed mindset and the downplaying of any skills that I might have obtained as not "real" skills because they do not fit some form of ideal.

04: Repair

I tried very hard not to absorb any of the things my father was trying to teach me about tool use and how to approach problems in logical ways, and how I might understand things about electrical circuits and the ways that things were constructed (or deconstructed). Often because those learning experiences forced on me were at times where I wanted to do something else, or when I wanted something to be done, instead of learning all the process behind it and then having to do the thing anyway, and to work through all the problems that would inevitably crop up while I tried to do things. I would rather have been using my skills to solve game puzzles instead of having to help out with real-world ones. These were also supposed to be bonding exercises or other opportunities for father-child interaction outside of playing board or card games together, and in the way of most children, I was not necessarily interested in having my father interested in the same kinds of things I was getting interested in, especially the ones that I was studying on my own and that I knew he would neither approve of nor be interested in learning anything about to have discussions with. (This general rebellion was supplemented with actual knowledge and experience on these matters, so it wasn't just that I wanted my privacy, it was that I knew conversational attempts would be impossible regarding them.)

To my eternal annoyance, not only did I learn things from my father about tool usage, repair, and how to diagnose and approach problems, they turned out to be useful. Especially when I became the class of person designated "homeowner." Because now I had situations where a thing needed a screw tightened, or a fixture replaced, or a piece of wood cut, or objects hung, or holes drilled, and so forth. The tool kit that I bought for myself when I became an independent being with an apartment of their own has followed me everywhere I have gone since then, and while it's been supplemented by a small number of power tools over time to assist with specific tasks, like carving up things or more firmly ensuring the screws are put into the right places, I have at least managed not to invest in some kind of handyman cave of my own. Because I still don't like doing those various things, even if I know how to do them, and I will end up doing them because I know how to do them. And I did this throughout the relationship that hurt me, and beyond that time.

It's not that I dislike doing various projects, like pulling up carpet and the tack blocks under them, or destroying a closet so that the people building the moat can get to everywhere, or hanging rails, brackets, and shelves to make a very neat book storage space, so much as I dislike doing the work of the projects themselves, and there's always an annoyance factor in there because doing projects inevitably reveals that some other tidbit of information from my father did, in fact, lodge in my brain, and it is now useful to me at this point. "Thanks, Pops." That's the kind of thing that lets me understand when a particular wire is still hot, even though the power to that box is supposedly turned off, and how to carve up large-sized bits of debris into things that will actually fit in containers, and how to use lawnmowers and trimmers, and many things. If I were better at capitalism, I'd probably be paying other people to do some of the things that are annoying and necessary, but I'm still stacked several deep in the "these things are expensive and necessary, so they're being financed" department. At this rate, I doubt I will have a situation in my life where I'm not making payments on something. But that's for a different entry.

I've picked up a new skill this year. It's not something that I think I'm great at, but it is something that I'm getting practiced at. You see, one of the things I did treat myself with were socks in my size that have things like cats in sweaters, or red pandas, or the Duck Hunt birds and dog on them. I wear them to work and try to keep them cycled so that I'm only wearing one pair for one day a week, and then laundering them. Well, the first set I bought has begun starting to develop holes in them simply from the years of use that I've put on them, and rather than discard the socks and buy new ones, I got taught how to use my needle and thread and do some re-weaving of the socks in the places that had developed holes. (It's nice to have someone with expertise in the thing you are trying to learn to guide and make suggestions as things go along.) Many of the same principles apply to other pieces of cloth that need to be rejoined to each other, although so far, the technique that I've learned tends to produce puckering, scarring, or other parts on the clothes that are of a different texture than the original. The socks are still wearable, and reasonably reinforced from having been re-woven in the spots experiencing failure.

Knowledge stars being transferable to different scenarios after enough practice, and so, when my lunch pail of many years had one of the cloth pieces that were the grab points for the zipper break off, I repaired it with the needle and thread. It's shorter now for the repair, but it works just as well as it did when it was longer. I repaired a hole in a cloth case for an object that I still need to think about how to display it in a place of prominence. I did repair a shirt that had been cat-clawed, but after that was done, the suggestion was to get some embroidered patch or similar and cover the entire scar with the patch to make it artistic.

Practicing skills on broken, but mendable, objects is effective practice. After all, if it's already broken, the best thing that can happen to it is that it comes back to a repaired state. And the worst thing that can happen to it is that it stays broken, or that it becomes more broken, or that it breaks in new and exciting ways. The complete low-stakes-ness of it all once again allows me to sidestep the need to repair something to a perfect state. And it's not like anyone is going to be looking at the heels of my socks so they can critique my sewing technique. And if they are, one, we're in a situation where I've taken my shoes off, so hopefully these are people who can figure out how to offer useful suggestions rather than flat critiques, or two, someone has very much invaded my personal space to take my shoes off and complain about my socks. If it's good enough for me to wear, or to use, and I'm not actively making it worse, then it's a success. The secret to success at new things, when you are plagued with perfectionism, is to keep the expectations subterranean, so that accomplishing the thing at all is the only thing you're hoping for, and then to turn out to have done it well is a happy bonus. (Because the anxiety is always there that it's not perfect, but being able to use, wear, or otherwise demonstrate to yourself that the thing you repaired works fine can go a long way toward at least coming to a satisfaction about it.)

Like so many other things, if you ask me if I'm good at something, I'll probably tell you no, and this applies in the domains of tool use, repairing things, replacing things, handyperson matters, sewing or darning, and all the rest of the skills that I've picked up, practiced some, but haven't turned into a specialty or a professional grade of work. My amateur, hobbyist, script kiddie skills are that way because they're often just-in-time skills, or things where I've learned something for a specific purpose and not for anything else, and I don't expect that knowledge to be transferable to any other domain. (It often is.) And they stay usable because I haven't let the perfection weasels at them, or tried to make them a core part of my identity, to the point where something not coming out at a high grade of quality feels like a complete failure, even if it was a success. And so, there will be humility about the skill applied, even if it might seem like false humility or ducking a compliment (because taking a compliment means admitting to the possibility of skill, and admitting to the possibility of skill inevitably leads to attempting something that is beyond my skill and receiving criticism or ridicule for it.) This is maladaptive behavior, but you tell the child that the people making a big deal about having made a mistake are doing it for hostile reasons, yes, but this particular mistake will pale in comparison to blunders yet to come, and you'll manage to get through them, as well. Or a similar tack that is somehow supposed to help that child feel okay about making the mistake, even with all the people around them making a big deal out of it, and the young career professional feel any kind of confident that they will be able to continue in their pathway with a manager that seems incredibly poised to weaponize every mistake into a personal failing of "why can't you just?"

I'll wait. Possibly while practicing some of the repair skills I've had to pick up for my psyche, if there aren't any physical things that I want to or need to repair at that point.
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rocky41_7 ([personal profile] rocky41_7) wrote in [community profile] books2025-12-04 06:27 pm

Recent Reading: The Sunset Years of Agnes Sharp

Book # (checks notes) 13! From the "Women in Translation" rec list has been The Sunset Years of Agnes Sharp by Leonie Swann, translated from German by Amy Bojang. This book concerns a house full of elderly retirees who end up investigating a series of murders in their sleepy English town.

This book was truly a delight from start to finish. I loved Swann's quirky senior cast; they were both entertaining and raised valid and very human questions about what aging with dignity means. It did a fabulous job scratching my itch for an exciting novel with no twenty-somethings to be seen. Now Agnes, the protagonist, and her friends are quite old, which impacts their lives in significant ways. However, I felt Swann did a good job of showing the limitations of an aging body--unless she's really in a hurry, Agnes will usually opt to take the stair lift down from the second floor, for instance--without sacrificing the depth and complexity of her characters, or relegating such things merely to the youth of their pasts.

The premise of this book caught my attention immediately, but after a lifetime of books with riveting premises that dismally fail to deliver, I was still wary. I'm happy to report that The Sunset Years of Agnes Sharp fully delivers on its promise! Swann makes ample and engaging use of her premise.

The story itself is not especially surprising; if you're looking for a real brain-bender of a mystery or a book of shocking plot twists, this is not it. But I enjoyed it, and I thought Swann walked an enjoyable line between laying down enough clues that I could see the writing on the wall at some point, without giving the game away too quickly. There are no last-minute ass-pulls of heretofore unmentioned characters suddenly confessing to the crime here! The main red herring that gets tossed in the reader is likely to see for what it is very quickly, but for plot-relevant reasons I won't mention here, it's very believable that Agnes does not see that.

Agnes herself was a wonderful protagonist; I really enjoyed getting to go along on this adventure with her. She had a hard enough time wrangling her household of easily-distracted seniors even before the murders started! But the whole cast was endearing, if also all obnoxious in their own way after decades of settling on their own way of getting through life.

Bojang does a flawless job with the translation; she really captures various English voices both in the dialogue and in Agnes' narration. The writing flows naturally without ever coming off stilted or awkward.

I really had fun with this one, and I'm delighted to here there's apparently a sequel--Agnes Sharp and the Trip of a Lifetime--which I will definitely be checking out.
silveradept: An 8-bit explosion, using the word BOMB in a red-orange gradient on a white background. (Bomb!)
Silver Adept ([personal profile] silveradept) wrote2025-12-03 11:33 pm

December Days 02025 #03: Chemistry

It's December Days time again. This year, I have decided that I'm going to talk about skills and applications thereof, if for no other reason than because I am prone to both the fixed mindset and the downplaying of any skills that I might have obtained as not "real" skills because they do not fit some form of ideal.

03: Chemistry

If you asked me about whether I can bake or cook, I would tell you no. If you then asked me whether I could follow a recipe, I'd tell you yes, and that I've successfully done it many times. When you point out that following recipe is literally the process of baking or cooking, I'll counter that with the idea that the sign of baking and cooking skill is somehow fixed in my head as being able to look at a basket of ingredients and understand how you could make a tasty meal with them, without the need to refer to recipe, only your own experience and technique. You can tell me that's a ridiculous standard to hold anyone to, and I'll agree with that, as well, and mention that my own head can be stubborn sometimes about what it thinks of as the baseline for being able to claim a skill. Because that kind of skill is not necessarily something that people who can follow recipes deliciously will ever develop, or necessarily desire to develop.

The domestic arts were not being taught that much in schools. There were classes with names like "life skills," which were often about learning how to balance a checkbook and keep track of your accounts, how to calculate what the additional costs of finance charges might be, including the one attached to a revolving credit account (more colloquially known as a credit card), and other skills that were meant to send us out into the world slightly less wide-eyed and terrified at the prospect that we no longer were bound to the school and would be considered, in the eyes of the law, contract or otherwise, as adults who could make life-changing decisions on our own. There were simulations about whether or not someone could live a month on the salary of the career they were thinking about going in to, which were also disguised ever so slightly as recruitment efforts to various places or career options, including the military. But at no point did I learn how to cook things while in school. I learned a little about it, using microwave technology and the conventional oven to do things like cook pot pies or make popcorn or other snack foods, but while I was a child, my stay-at-home mother handled the cooking, and while I was an undergraduate, I was on the dormitory meal plans, which covered most of my meals, and I could use some credit to have sandwiches or other such things for the one meal the dorm plan didn't cover. So, theoretically, I could avoid having to learn how to cook until I left the dormitories, and even then, I could have managed to avoid it by trading out cooking duties for other chores in the arrangements that I had while living with other college students. I didn't do that, but neither did I get much of an education in the arts of cooking and of shopping for myself. Not least because the last place I was in for graduate school had a strong infestation of ants, and those ants liked to turn up in insufficiently sealed cracker and cereal boxes. So I learned which foods not to buy because they attracted the ants to them.

Having left the tender illusions of schooling and moving myself to the Dragon Conspiracy Territory, with a job in hand, and soon, an apartment of my own, the lessons I had learned about frugality and making the dollar stretch meant that not only was I going to consider "eating out" to be a great luxury, it meant that I was going to have to cut back on the amount of already-prepared meals and foods and start using some of my spare time to cook up food that I would take for lunches to work. I had sandwich makings, and my indulgence, such that it was, was frozen pizza with a mozzarella cheese-filled outer crust, and some microwave meals for those nights when I was going to get home from work too tired to do much more than cook up that food and possibly vegetate or otherwise get caught up on the Internet's doings for the day.

(When I was in the relationship that hurt me, it was a point of pride for my ex that she did the cooking and feeding of me, and that I should not have to worry about it. Even when she was doing a fair amount of overspending the budget I vainly kept trying to set and explain to her that we had to adhere to, because my money was not infinite and I knew that if we got in the habit of overspending because she had money to draw on, it would hurt a lot when that money ran out completely. My attempts were all failures, because my ex was looking for excuses not to have to hold to limits and also told me that she believed anything other than a firm no was an invitation for her to more strongly argue her position. After telling me this, she would get unhappy and sulky when I switched to firm nos about things that I had been trying to use polite nos for. The no hadn't changed, but once she told me how to deliver it so that she would listen, that's what I used.)

However, [livejournal.com profile] 2dlife took, well, maybe not pity on me, but an interest, because C was skilled in the arts and was willing to teach someone who hadn't collected the necessary parts of being able to follow recipe and understand what techniques were being called for. This was meant both as skill-building and as lowering the intimidation factor toward cooking, because it's much harder to think of cooking as a daunting task when you can keep turning out delicious food by following the instructions in front of you. Under C's direction and instructional material, I made quiche. (The first one was perfect and delicious, and every quiche I made after that was chasing that first perfection. They were all still good, but they weren't exactly like the first perfect one.) I made braised chicken, and I made goulash, and stews, and I tried to make breaded, battered, and fried chicken, which didn't turn out as well as I had hoped, because while I'd made things, I hadn't made them to stick to the chunks of chicken I had as well as I wanted them to. And with each new item, I had learned new technique for preparation or cooking, to the point that by the time C was done walking me through things, I had a repertoire of things that I could make, depending on what I was in the mood for, and I could make them in sufficient quantities that they could serve as components for many different types of meals. The chicken went in lunches, but what accompanied the chicken changed throughout the week, so that I wouldn't get bored of it. And I still had the pizzas and microwave meals for variety and for those days where cooking just was not going to happen.

(Since the dishwasher in the apartment was broken, I also got very good at using the minimum number of pots and pans for these meals, because I dislike doing dishes by hand, and therefore would want to spend as little time on that as I could.)

Fast forward through the harmful relationship, and I am once again on my own and equipped with a kitchen to resume where I left off. Although by this time, C's dropped off the Internet, or at least LiveJournal, so I don't have the entries to refer back to again. What I do have, though, is the Internet itself, and so it's back to meal planning, figuring out what I want to make, and investing in a quality and sharp knife. Maki joined my repertoire of things I could make, and once again, the first one turned out beautifully, and many of the others turned out much less so. Presentation was not that important, however, because I was the one eating it, and therefore if it was delicious, it counted as a success. Shortly afterward, a long-distance relationship became a proximal one, and I returned to the more comfortable role of sous chef, doing prep work and assisting in cleanup while letting the person with confidence, skill, and practice do much of the main cooking work. My skills didn't atrophy, though, because these sessions had the same idea as C's in mind: I was learning things about how to gauge when something was done, I was handling preparation of various things, or at least the first stages of them, or being asked to watch them until they showed the signs of being done, and pretty often, I'd get the instructions on how something was done and the expectation that I would be able to turn out delicious food. And I succeeded in these matters, following recipe and instruction from someone who had the skills to look at a basket of things and figure out something delicious from them.

I'd still tell you no if you asked if I could cook, though. Even though there is one memorable instance in my cooking career where I may have shown up some people who did not have the necessary skills to prepare the food they had obtained for a gathering. Their chef had flaked on them, and so, because I was hungry and I knew how to make the food they wanted to serve, with one pan, a sharp knife, a silicone spatula, time, and spite, I made delicious food. There was definitely some incredulity that someone could just do something like that, but as someone who had trained with C's braised chicken and making C's quiche recipe, the food in question for the gathering was well within my capacity. And there were no complaints about the food that had been promised actually appearing, and being delicious.

(There is a story on my father's side of the family about one of the uncles taking over cooking and baking duties for my grandmother on that side as the cancer that eventually killed her (fuck cancer forever) made her no longer able to handle those duties. "I ain't heard no one complain," he said, when Grandma was trying to help him do things better. Being a person of sharp wit, she replied, "Are you still listening?")

As time has gone on, and other people have joined up with the household, cooking duties have been spread out and sometimes individualized, and sometimes not. I know that I've prepared the red beans and rice specialty from a housemate from recipe and direction, to excellent results, and I have been at last co-head chef for several years of the November feast and its requirements. This year, I flew solo on the November feast, and it was all delicious, and those who partook of the feast all agreed that it was delicious as well, so I suspect that means my cooking skills have significantly leveled up from what they were when I was just starting out with C, both for stunt chefery and feast chefery. I certainly have confidence at this point that I can follow recipe and turn out delicious things. (Chicken carbonara, oh, goodness, that was good, even if it was fiddly as fuck to get right.)

In the other half of chemistry class, most of what I'd learned how to do before University days were no-bakes and other items that required blending, but not necessarily baking and monitoring things until they were properly done, based on both the time that the recipe said and the eyeballing or toothpicking skills needed to ascertain when something is truly done and ready. The shutdown and shift to virtual services gave me a golden opportunity to practice skills that I had been self-conscious about (including art skills like drawing and crafting that I mentioned in the previous entry), and when I suggested to my co-presenters to try kitchen sciences with our child cohort, with the supervision of their adults, they were enthused about it. Which meant rustling up recipes for baked goods that could go from creation to full bake in approximately an hour, and then, live and in front of children and my co-presenter, actually doing the mixing, proving, rising, preparation, and baking for these objects. Shortbread first, then scones, pretzels, biscuits, pizzas, all different kinds of dough with different requirements of time, temperature, kneading, and the rest. I couldn't believe it when the shortbread came out of the oven and was delicious. I didn't believe I could do it well the first time. Some of the recipes I did a practice run with to make sure that they actually would go in the time that they claimed, and even the practice runs turned out well. As with the other things that I had made, I tried to emphasize to the children that if it was delicious, it was a success, no matter whether it looked perfect or not. Because the things I made were not uniform, perfectly-stamped objects all arranged in a row. They were different sizes, some a little looser or tighter than others, and showcased just how much of an amateur I was, and how much I was learning alongside them at doing this. But they were delicious, and the ones the kids made were delicious, as well.

I have had to learn how to adjust my spicing preferences to others' tastes, and to learn when to lean hard into spicing and when to have a lighter touch with it. But I am no longer intimidated by recipe, and the person I consider the cook in the household has been pointing out to me that I am already at the phase of making delicious food based on vaguer instructions than recipe, so I appear to be moving forward in skill and practice, so it's possible for me to make small diversions and adjustments to recipe based on the kitchen I'm in, and the taste of what I want. So, within a narrow band of possible parameters, and with instructions to hand, I can cook and bake, which is a lot more than I could do many years ago.
silveradept: A head shot of a  librarian in a floral print shirt wearing goggles with text squiggles on them, holding a pencil. (Librarian Goggles)
Silver Adept ([personal profile] silveradept) wrote2025-12-02 10:27 pm

December Days 02025 #02: Sidestep

It's December Days time again. This year, I have decided that I'm going to talk about skills and applications thereof, if for no other reason than because I am prone to both the fixed mindset and the downplaying of any skills that I might have obtained as not "real" skills because they do not fit some form of ideal.

02: Sidestep

If you asked me, I would tell you that I'm not good at art. I realize this is a subjective qualification, but we insert here Ira Glass's commentary about taste versus skill as an explanation, and then we spin backward in time to my childhood again.

You see, art is and is not part of the core curriculum of my schooling. There's plenty of art and craft time, yes. Much of it works on a principle of following a set of directions to produce something that looks like the example, and that's not something that works for tiny me, because I either get very invested in trying to make my version look exactly like the example, or I get sufficiently frustrated at not being able to do this that I stop caring about whether what I'm doing is within tolerance of the example, and that is only going to create greater difficulties down the road.

The bigger problem, of course with visual and other arts, is that we come into the world with plentiful examples of things that are high quality and good taste, and we do not have any kind of advantage conferred with experience, genetic memory, or other such things where being the descendants of other people provide us with obvious advantages in the creation of art.

That said, it's a remarkable feat of every human that they manage to figure out what sounds (or gestures) are the important ones, and what combinations result in intelligible conversation or getting things that are desired. Which happens after a very long amount of practice absorbing those things and eventually experimenting with them until the right combinations come into existence. And then, just to up the difficulty, after we've mastered the art of communication by sound or gesture, we introduce younglings to squiggles (or bumps to be felt), where squiggles or bumps of certain forms represent the sounds that have already been learned, and the combination of squiggles or bumps in the correct order and style allow us to convey those sounds and meanings to other people who know how to interpret the squiggles as sounds and words. Babies and children accomplish an impressive feat of art by gaining both of those proficiencies by themselves, and they do it through a boatload of observation and practice.

Yet, with babies, we seem to be encouraging and accepting of the amount of time that it takes for them to gain the proficiency needed in communication, both lexical and auditory. As we get older, there's not always as much support for collecting new skills, or patience for the necessary practice of them, either from ourselves, or from the people around us that could fill that role. By third grade, I could make a smiley, or perhaps something of cartoonish proportions and the feel that you get from those childhood drawings on the refrigerator, and a friend of mine could make detailed drawings of superhero action sequences. That friend did a lot more drawing practice than I was doing, because I was more interested at the time in exercising my reflexes and my puzzle-solving abilities, and learning how to play strategically at board games and card games. But rather than framing this as a choice of "I have chosen to allocate my time differently," I instead absorbed the message "I'm not that good at art."

While I've played a musical instrument from grade five all the way through my undergraduate university experience, and a little bit beyond that (including gigs that I got paid for playing that instrument in a band), I have not considered myself much more than an untalented amateur at the instrument. I can hear what others are doing, and how much more refined their tone and ability is, and I do not have that. My taste exceeds my ability, and I have probably made as much progress as I can at this point without perhaps some additional instruction to improve further, or significant practice devoted to the instrument. That said, I'm not putting my time and energy into that particular pursuit at this time. Mostly because there's still a highly communicable disease going about, and playing instrumental music where you have to move air through the instrument makes it very difficult for you to mask or otherwise take precautions against infection from other people who are also outputting a lot of air. Also because the group I was playing with at a local college became a group where the community members needed to pay for continuing education credits, rather than volunteering themselves, and that's not happening. Again, I am choosing to put my time and energy elsewhere at this point.

The Geocities site I created as an exercise in learning HTML never became anything other than a personal site for learning HTML with. Perhaps I had some hope somewhere that it would become something and people would visit, but it was never a developed enough hope for me to try changing things to turn it into a website for others. I still have no great ambitions of creating a website that everyone wants to visit and see everything about. When I learn programming and scripting languages, it's usually to accomplish some project that I have in mind, or, in a very recent case, to get better at playing a game. (It's a powerful motivator, what can I say?)

When webcomics were the thing everyone was doing, I ran a comic for several years on a lark. And in that comic, I mostly leaned into the idea of the drawings being simple and crude and trying to let the writing carry things. It never became a great popular thing. It was something I did because I wanted to do it, and while the fame and fortune would have been nice, I didn't expect it to happen. Randall Munroe proved that you don't necessarily have to have intricately detailed drawings to have something that's funny and enjoyable. So did Ryan North. But I did the thing I wanted to do, and it was enjoyable, and then my life fell apart sufficiently that I couldn't keep up with it. I'd have to do a fair amount of resetting passwords and the like if I wanted to revive it, but I always could. I'm sure there are more jokes hiding somewhere, and more stories to be told from that space.

Writing and essaying is one of the spots where I can admit to long practice at the skill, although if my goal is set at creating the Great American Novel, then clearly I'm not good at that, either. But I am certainly practiced at many forms of writing. Mostly essay, a lot of fanfiction. Any success that I have in fanfiction kudos and comments is, for me, attributable to the size of the fandom that I wrote the work in, rather than something that specifically I created that has people wanting to read it. Although I do have some user subscriptions and some regulars in the kudos columns, so there's something there.

What really bowled me over, though, was that while my numbers have never been great in terms of kudos or comments, someone else mentioned, when I took a look at their book club readings, that they were impressed with my having done my book club readings for thirteen years. Which is true. I have been doing weekly posts on things that I'm reading for that long, usually with a spork firmly in hand and at the ready. I ran the entire gamut of the Dragonriders of Pern (at least until some new Pern novel comes out) and that's a great accomplishment that I didn't really think I would finish when I set out on it. But I kept doing it, and eventually I went all the away through. It turned out to be a matter of persistence rather than any kind of extra-powerful talent or any external motivator from fans to keep things going. And I sit in sufficiently relative privilege that I don't have to beg for dollars in each of my posts, or set them behind paywalls so that I make income off my writing, having amassed a large amount of people following me for my writing. I have probably amassed at least a million words of my own writing, over these topics, and the book club posts, and some things that I have had published in real publications, in my professional life. (I am, in fact, a published author several times over. Just not of the Great American Novel.) The point of much of my writing is that I enjoy doing it, and when I stop enjoying it, I'll stop doing it and do something else.

In the last year or two, I've taken up trying to mimic other people's drawings with my own hand, using the medium of dry-erase markers on a whiteboard. Some efforts turn out better than others. There are compliments about the drawings, which I mostly want to deflect away, because it's not like I created this drawing by drawing what was in my head onto the whiteboard. I tried to draw what I saw, and sometimes I succeeded. (Whiteboard is a very forgiving medium for certain types of mistakes.) I'm likely improving at this through the practice, which is nice, but I'm mostly doing it because I want to do it, and because nobody else has yet told me that I'm forbidden from doing it. I think it makes a nice decoration for the programming offerings. There are compliments. I have not yet figured out how to phrase an answer to the questions "Who drew this?" or "Did you draw this?" that conveys both that what you see is an attempt at copying what someone else has already done, and that yes, I did make the marks on the whiteboard for this. If there is something praiseworthy about the endeavor, it's in accuracy of replication, in the thing looking enough like the original to be recognizable. It's not "I drew the thing in my head," because when I try to do that, it doesn't turn out like what I envisioned in my head. So I need more practice, and possibly more instruction. But the same rule applies to this as does to the writing parts: if I stop enjoying it, I'll stop doing it.

This rule is, in fact, the secret to me getting me to do the things that I'm doing. If I start thinking about monetization or professionalism or growing the readership or other such things, I'll start having greater amounts of anxiety for chasing a goal that I may never get anywhere close to. So long as I can believe that the things I'm doing are most for me, or mostly for the practice that I'll get out of doing them, then I can go forward with making the attempt. I have to avoid thinking it has to be perfect, because if it has to be perfect, that taps into an entire well of trauma and terrible feelings that generally ends with "if I can't make it perfectly, I won't make it at all." And because I'm doing it because I think the idea is funny, or because I want the practice, or because I've learned some new technique and I wanted to make something that put it to use, I can sidestep the idea that it has to be perfect, and therefore bring it into existence.

This rule also permits me to deflect praise for it, since "I'm copying someone else's art," or "I did it because I thought I could. An Actual Computer Toucher / Programmer / Artist / Essayist would be able to do it better than I can." There is often an immediately-deployed counterargument to this that comes in the form of "you did the thing that I am looking at, accept a compliment." The people deploying those counterarguments are often more stubborn than I am about the matter in the moment, even if I can be more stubborn about not accepting that I have practiced the skill sufficiently to make neat things in the long term.

The person who created it can see all the flaws, the person observing it can see all the strengths. Taste. Skill. And the whole thing is still subjective about whether or not something is good, and who it is good for. And whether the person doing it is any good. Because lots of people will say "That's better than I can do," and while that's a true statement, and better than "Oh I could never do that," or "I don't have any talent at that," I think the most accurate thing to say is "That's excellent. I appreciate this, and I am choosing to spend my time on other things."

And so, for now, I spend my time on things I find enjoyable.
silveradept: Domo-kun, wearing glass and a blue suit with a white shirt and red tie, sitting at a table. (Domokun Anchor)
Silver Adept ([personal profile] silveradept) wrote2025-12-02 10:16 pm

A Shorter List Of Interesting Things - Late November 02025

Let's begin with finally understanding how the Dresden Codex is able to calculate eclipses with exacting accuracy.

Alice Wong, ceaseless activist and person who wanted us to really look at not just the body, but the person behind it, and who often wanted us to know about things that weren't necessarily meant for "polite company" about it, has died. She knew it would happen eventually, but we were always hoping she'd pen a few more things for us to chew upon.

Having banned them completely outside of research studies for the under-18 crowd, the UK is announcing a large-scale clinical trial on the use of puberty blockers in the under-18 cohort. Presumably so they can have their own conclusions about how safe and effective they are, even if that kind of conclusion is unlikely to be tolerated by the ministers who want to use it as a further cudgel.

We must once again stress that all things that are natural are not necessarily good for you, and that people who want to charge you money to give you no information about how to safely have birth, and who will actively encourage you not to seek appropriate care and assistance in the case of complications or emergencies are not trustworthy nor should they receive any kind of money at all. Of course, they're not advertising themselves that way, so it can be harder to spot the fakery until you're in it, and since it also preys upon the vulnerable, it may not be something that you notice is fakery or a problem until something terrible and tragic happens.

Even if the way that can be named is not the eternal Way, being able to identify and label your emotional states can go a significant way toward regulating them.

The usual: USPol, technological terrors and failures, and the rest )

Last out, the right to say no, and how the increased automation of things that need a human touch continues to erode that right, not the people directing the greater automation necessarily believe that the people they're automating were human in the first place, and the way that tools become integrated into the human experience, and how accepting things like the stochastic parrots in their current form only benefits the people who want to continue the dehumanization process.

And, of course, the Dreamwidth December points sale is on! Support the site with paid services, get 10% of your order in points that you can use to make a later purchase cheaper or free. And if you already have paid services and want Dreamwidth to continue as the best LJ fork created, and to also routinely assist in punching governments in the nose when they try to impose poorly-thought-out laws and rules under the guise of protecting children from adults, consider wither turning communities into paid accounts, adding icon slots, or playing Paid Account Fairy and using the function that allows you to gift paid time to a specific person or to a random active user of the site.

(Materials via [personal profile] adrian_turtle, [personal profile] azurelunatic, [personal profile] boxofdelights, [personal profile] cmcmck, [personal profile] conuly, [personal profile] cosmolinguist, [personal profile] elf, [personal profile] finch, [personal profile] firecat, [personal profile] jadelennox, [personal profile] jenett, [personal profile] jjhunter, [personal profile] kaberett, [personal profile] lilysea, [personal profile] oursin, [personal profile] rydra_wong, [personal profile] snowynight, [personal profile] sonia, [personal profile] the_future_modernes, [personal profile] thewayne, [personal profile] umadoshi, [personal profile] vass, the [community profile] meta_warehouse community, [community profile] little_details, and anyone else I've neglected to mention or who I suspect would rather not be on the list. If you want to know where I get the neat stuff, my reading list has most of it.)
purplecat: Purple flowers and the word Bingo! (genprompt_bingo)
purplecat ([personal profile] purplecat) wrote in [site community profile] dw_community_promo2025-12-02 08:38 pm

Gen Prompt Bingo Round 29


A border of purple flowers with Gen Prompt Bingo  Round 29 and the url genprompt_bingo.dreamwidth.org superimposed over it.


[community profile] genprompt_bingo is a low commitment multi-fandom, multi-media bingo challenge.

Its aim is to provide bingo cards of gen-style prompts to be used as inspiration in creating fic, images, meta, fanmixes, vids or any other kind of fannish activities. Although the prompts themselves are "Gen" (i.e., no prompts are specifically about romance or sex) fills may be of any genre, style or rating.

Prompt lists are renewed at the start of December and April. New cards can be claimed then even if a previous card has not been completed.

Round 29 is open
silveradept: A librarian wearing a futuristic-looking visor with text squiggles on them. (Librarian Techno-Visor)
Silver Adept ([personal profile] silveradept) wrote2025-12-01 11:17 pm

December Days 02025 #01: Beginnings

Gods, it's already December, isn't it. Time to talk about myself again, and this year, I have decided that I'm going to talk about skills and applications thereof, if for no other reason than because I am prone to both the fixed mindset and the downplaying of any skills that I might have obtained as not "real" skills because they do not fit some form of ideal.

There will be a lot of talking about computer touching, but also, likely, art outside of computer applications. Shall we begin?

01: Beginnings

I've told this story before. Several times, in fact. It's appeared in 2024, 2023, 2021, and 2019. This is less a worry about dementia and repeating myself (although I have now discovered there's a family history of this), and more because this story is the launch point for a lot of things involving my technology journey. It's not the earliest computer memory I have. That's Ladders and Hunt the Wumpus on the Kaypro. This memory, however, is the earliest one that I have of taking a piece of technology, and trying to figure out how to make it work for me, rather than accepting that the limitations placed in front of me are the sum total of what is possible.

I'd like to believe that I am at least telling the story with different details each time, so that the composite picture you get, layering each version of the story over each other, in the same way that you might layer up a CYMK printing process, means that more and more of the full truth of the story comes into being. Some parts are always going to be mentioned, are always going to be core, but the things that are relevant to the specific context might change. Or some other piece of the picture gets touched and now adds to the details of the story, refining, highlighting, adding shadows and depth.

As a tiny, I was not permitted to have my own machine. As a teenager, I was not permitted my own Internet access. This was in good parenting practice at the time, which was about monitoring and making sure that the children were not spending all their time on brain rot, and then to make sure that the children were not getting into age-restricted material.

This is the time of the Sierra adventure game, and where games could offer a wide palette of possibilities, between CGA, EGA, and the relatively newfangled VGA offerings, with games designed to be understandable with any of those color combinations in mind. It's also the time of Math Blaster, which I remember playing significant amount of, an EGA colored suite of Jeopardy! games, Avoid the Noid, with its chiptune public domain soundtrack played through the computer speaker, the various Carmen Sandiego games and their associated book where you looked up answers in, a fiendishly difficult Monty Python game that look some significant time to figure out a core component of the game, and of various game packages sold together. It's DOS, and if three's Windows, it's 3.0 or 3.1 at the most.

One of the first things I tried to do while playing a Jeopardy! game was to hit that pause button on the keyboard, which seemed to stop the operation, and then I went to the encyclopedias to look up the answer to a question. Once I had that, I hit pause again to resume, only to find that the pause key did not actually stop the operation of the computer and the timer ticking down to zero. Nuts. This is the first time where I find out that I don't fully understand the thing in front of me.

This was also the era where we made me a name tag for entering school with by designing it in Print Shop Pro and printing it off, rather than hand-lettering it, and that was apparently the thing that distinguished my name tag from everyone else's. There were a lot of things created on Paint Shop Pro in that era.

This was also an era where games often tied their execution to how fast the computer was running, because, in those days, a heady 8 MHz of clock speed was available, and in the family computer case, it could be bumped up to 16 MHz through a "turbo" key combination, and then brought back down again, similarly. This made some games a lot easier to run, or that they could be sped up if necessary or for additional challenge.

Engineer that my dad is, he had installed a program so that when the computer booted up, instead of an unfriendly prompt, we had a friendly menu that we could choose options from. He created pages for the kids so that we could access games and the things we were most interested in, without needing to use the command line for such a situation. This worked, for the most part, because this is also the era where people snark about Bill Gates talking about how 640k of RAM is good enough for everyone, and most programs didn't actually grab a lot of RAM. So the Automenu program and the game could coexist side-by-side without there being any issues of memory work. When there were issues, in the VGA era, we'd have to dispense with Automenu and instead work with boot disks to ensure there was enough RAM available to run the games we wanted to, which usually had helpful utilities for creating such things and ensuring that the bare minimum of useful things were loaded into memory, so as to have enough left over for gaming.

At this particular point in time, however, I was interested in a game called Sharkey's 3D Pool, a billiards simulator. It was fun to watch balls fly around and possibly play a couple of games against various opponents. (Sharkey himself, of course, as befitting a pool shark, was a perfect-play opponent.) However, Sharkey's 3D Pool was one of those games that needed more memory than was available to it with Automenu enabled. I didn't know this at the time, but I would discover it soon enough.

So, in DOS, much like in Linux today, (and UNIX before it, I'm sure), you have what's known as a PATH. PATH is a way of telling a computer "When you receive an input from the command line that you don't understand, search these locations to see if it matches something there. If it does, run that program." So you can make programs callable from anywhere in the file structure of the directory including the program is part of your PATH. Games being installed usually added themselves to the PATH so they could be invoked from anywhere, including by small children who just needed to remember to type the command.

Automenu was, essentially, a graphical representation of batch files, which contained commands to be run in sequence. Batch files and shell scripts are essentially the same thing, it just depends on which environment you're in. Anyway. The point was that the creation of menu entries was essentially putting together a batch file, so that when you selected the menu entry, it would run the commands in sequence. Because it was a relatively sophisticated program, it was also possible to edit and create new menu entries from inside the program itself, and this is where me, an enterprising youngling, starts upon their career of computer touching in earnest.

How much of being a computer toucher is running someone else's software because it's correct for the purpose, how much of it is in poking around in things and changing them to suit your purposes, and how much of it is designing and executing your own software is an exercise to the reader. And also a primary source of conflict with me about how much of the title of computer toucher fits me, and whether I should claim any part of it.

Back to the youngling, who wants to add Sharkey's to the list of possibilities available to them, and therefore goes poking about in the menu editor to see if there's any knowledge to be gleaned from studying the structure of menu entries. This memory is hazy, so the exact details have escaped me, but I do remember that I was able to pick up the syntax of how to create a new entry, and how to indicate what commands should be run when that entry is selected. I put together what I thought would work as a command and tested it. And I think it needed to be tweaked a time or two before I had it pointed in the right direction and getting the right command to run. But I did, at least, get it to the place I was looking for.

However, when trying to run it, Sharkey's kicked back a message to me saying that there wasn't enough memory available to it to run in EGA/VGA mode, and it suggested a command-line parameter to use to lower the graphical quality down a step or two and try it again. Which I did, and I think at CGA, it did run, because there was just enough memory available at that graphical level. However, if you've ever worked with the CGA palette before, "eye-searing" is often a useful descriptor of it, and I didn't want to play the game in that limited color array. I tried everything I could think of to get the program to run through Automenu, and nothing I did worked. (Also, I'm a small child in the pre-Internet era, so exhausting all of my available knowledge is much easier at this point.) Having exhausted my reserves, I turned to the knowledgeable expert (Dad) and showed him what I was doing and what error message I was getting, and asked for help in fixing the problem. So there's my first opportunity to get mentorship and learning.

Dad understood what was going on immediately, and explained to me that if I wanted to play pool, I would have to leave the confines of Automenu and run it directly from the command line. I remember being confused about this, too, because all of my Automenu fiddling was copy and modify, without understanding the principles behind what I was doing, or how I was going about what I was getting to. I think I was doing the equivalent of "C:\Sharkey\shark3d.exe" or that I had copied over a sequence that was "cd jeopardy ; jeopardy" and changing it to "sharkey" or something like that. Accomplishing the thing because the directories and executables were sensibly named (as much as could be in the 8.3 era, anyway), but without understanding what I was doing. So, I fumbled about a bit on the command line, trying to replicate what I had done in Automenu and failing pretty solidly and getting frustrated at my own lack of understanding. Dad helped me one more time with a key piece of information - what the "cd" command actually did. At which point, I understood the file, folder, and directory structure better, and that "cd" was short for "change directory". Once I could use the cd command to get where I wanted to (and "dir" to list what was available), I had the entire directory structure at my fingertips to traverse. And mostly used it to play games after leaving Automenu, because Automenu took up memory that I needed to play games.

That was my first experience with interacting with operating systems and understanding one of the core elements to file organization in a DOS system. I didn't go poking around in things that weren't the games section, because I wasn't interested in poking around in those things. You'll find that a lot of my advancement of knowledge regarding computers is directly or indirectly related to being able to play games on them. It's not a bad motivation, but it's certainly not the kinds where people are looking at a system and getting curious about how it works, or seeing what else is available on a system, or other such things. So that's another reason why "computer toucher" doesn't always sit well with me, because I'm not coming at it from the same place as some of the other people are.

That said, that underlying file, folder, and directory structure is exceedingly helpful to me when it comes to my current work, either because machines still use that structure (Windows does, and so do Android phones), or because I'm about to rain imprecations down on the Apple Corporation for making design decision to obscure that underlying paradigm in favor of saving everything to iCloud, or in not exposing folders, but instead making them links to cloud storage, or only making them accessible through apps. I get the idea. Abstracting away the underlying structure and presenting a user only with "locations" to save to, or something like that is supposed to make things easier to find later, and the abstraction still allows for folders to exist, and the like, but I often have to explain to people that the thing that's attached to the e-mail has to be stored somewhere before it can be uploaded to our print servers. I'm a practiced hand at making this work on all kinds of devices, but there are times where I wish Apple would make "save to local device" much less buried, and also, I want to rain a thousand curses upon whichever engineer decided that the "share" button should also serve as the way of accessing how to save a copy to either a cloud storage account or local storage. At that point, I pretty well believe that their abstractions are making things harder, and are designed to get people to pay for extra iCloud storage, rather than to be able to use the devices that they have in their hands. That's a business decision, but it also makes me strongly dislike iProducts and not want to give them my money.

From these, my beginnings, we go forward in time, but also to situations of different complexity, skill, and problem-solving. Mostly in the service of playing games, or in trying to do things that will keep me from being idle and therefore prone to the difficulties that come from being idle or hyperfocused.
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
ysabetwordsmith ([personal profile] ysabetwordsmith) wrote in [site community profile] dw_community_promo2025-11-29 11:54 pm

Allbingo and Crowdfunding

[community profile] allbingo provides a space for creative people to share their work, using bingo cards for inspiration.

[community profile] crowdfunding is a community for creators, patrons, and fans of cyberfunded creativity.

Further details below ...

Read more... )
marycatelli: (Golden Hair)
marycatelli ([personal profile] marycatelli) wrote in [community profile] books2025-11-29 10:51 am

My Status as an Assassin Obviously Exceeds the Hero's Vol. 6

My Status as an Assassin Obviously Exceeds the Hero's Vol. 6 by Matsuri Akai

Spoilers ahead for the earlier volumes.

Read more... )
marycatelli: (Golden Hair)
marycatelli ([personal profile] marycatelli) wrote in [community profile] books2025-11-28 02:09 pm

The Perks of Being an S-Class Heroine, Vol. 6

The Perks of Being an S-Class Heroine, Vol. 6 by Grrr

Spoilers ahead for the earlier books.
Read more... )
marycatelli: (Golden Hair)
marycatelli ([personal profile] marycatelli) wrote in [community profile] books2025-11-27 08:22 pm

Kill the Villainess, Vol. 4

Kill the Villainess, Vol. 4 by Haegi

Spoilers ahead for the earlier books.

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rocky41_7 ([personal profile] rocky41_7) wrote in [community profile] books2025-11-26 10:31 am
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Recent Reading: The Once and Future King

Last night I finished The Once and Future King by T.H. White, because I felt like it was time I made a real foray into the Arthurian legends. The actual first Arthurian book I read was The Mists of Avalon, but that was years ago and before I had heard the full story about Marion Zimmer Bradley. This book takes a decidedly different tone. I’m sticking to the most common name spellings for all of the characters here, because spellings do vary across all versions of these legends.

The first thing that surprised me about The Once and Future King is that it’s funny, and frequently in an absurd, dorky kind of way. Knights failing tilts because their visors fell over their eyes wrong, Merlin accidentally zapping himself away in the middle of a lesson because he was in a temper, the Questing Beast “falling in love” with two men dressed in a beast costume, that sort of thing. This silliness is largely concentrated in the first quarter of the book, which is about Arthur’s childhood, but it’s never fully lost.

The second surprise was how long the book focuses on Arthur’s childhood, but then again, it is setting the scene for Arthur’s worldview and the lessons he internalized as a child which shape his approach to being king.

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marycatelli ([personal profile] marycatelli) wrote in [community profile] books2025-11-26 11:14 am

I Picked Up This World's Strategy Guide, Vol. 2

I Picked Up This World's Strategy Guide, Vol. 2 by atchi ai

Spoiler ahead for volume 1.

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marycatelli ([personal profile] marycatelli) wrote in [community profile] books2025-11-25 11:43 pm

I Picked Up This World's Strategy Guide, Vol. 1

I Picked Up This World's Strategy Guide, Vol. 1 by atchi ai

A frolic with a somewhat different approach. A girl works in her mother's item shop, and one day while gathering herbs, she finds a book. A strange book.

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marycatelli ([personal profile] marycatelli) wrote in [community profile] books2025-11-24 11:14 am

Orange

Orange by Ichigo Takano

This is available in five volumes, and also in two omnibus editions (the second included a backstory which I didn't get into), but it reads as one story.

It opens with Naho receiving a letter. It says it's from her future self, that a new boy will arrive in class and sit beside her, and she must not ask him to walk home, because he's no longer with them in the future.

Not knowing what to believe, she joins with her friends in asking

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chestnut_pod ([personal profile] chestnut_pod) wrote in [community profile] poetry2025-11-23 06:32 pm

"The Old Usher," by Oliver Reynolds

The Old Usher
Oliver Reynolds
2010, from Hodge

--

for Farès Moussa

I have
shouted Lights! in the foyer as the show begins

I have
opened and closed a million doors
Push and Pull stamping my palms

I have
woken with Good Evening on my lips

I have
ROH in moles over my left nipple

I have
Tchaikovsky as a heart-beat

I have
told ten thousand bladders
It’s down the slope and on the right

I have
stood at the bottom of Floral Hall stairs
with Peter Bramley at the top
tapping the metal hand-rail with his ring
to annoy me

I have
bent my head to complaints about the row in front
the big hair-do, the change-jingler, those who snore or smell

I have
turned a blind eye, a deaf ear, and a stopped nostril

I have
opened and closed a million doors
Push and Pull stamping my palms

I have
waited in the wings to present flowers
cygnets wafting past me in a crush of tutus
each back tight with the cordage of muscle

I have
sold ices with Susie Boyle

I have
passed the black-and-white monitor at Stage Door
and felt proud to see Haitink in the pit
a bottled homunculus preserved in music

I have
opened my locker on a vista of dirty shirts

I have
killed a moth for Monica Mason
It wants to settle on me!
she who once danced her death in the Rite
now frightened of millimetres of flutter

I have
Tchaikovsky as a heart-beat

I have
bassoons and strings planned for my last-act death
the weightless pas-de-chat
lifting me out of this ninth life
into the proscenium’s eternal gold

I have
perfected my farewell
a final turning-out of the pockets
as I rise and vanish into air
swirling with the confetti of ticket-stubs

I have
shouted Lights! as the show begins

I have